Artists
Pierre Cuffini
DinahBird
Blenno Die Wurstbrucke Povera
Emile Boudghene
Angelique Buisson
Pierre-Yvan Blondet
Marco Dapic
Julia Drouhin
Frederic Fradet
Carine Herve
Leila Mandelbrot
Michal Mitro
Azumi Oe
Jonathan Poulet
Jean-Philippe Renoult
Lea Roger
Dexter Rosengrave
Martin Roy
Valerie Vivancos
Dylan Sheridan
Emily Sheppard
tarab
Sonnett
The Roaring Forties
Date: 31-Aug-2019
Location: Contemporary Art Tasmania / Structures Sonores et Cristal Baschet (France)
Organised by Dr Julia Drouhin, the event is an audio conversation between the Structures Sonores Baschet barn (where she is mentored during a residency in Paris, France), and Dylan Sheridan’s exhibition Np423b: empty orchestra at Contemporary Art Tasmania.
During the two hour event audiences in Tasmania will be able to experience the sounds of Structures Sonores Baschet being played live, and broadcast from France, by artists DinahBird, Blenno Die Wurstbrucke Povera, Emile Boudghene, Angelique Buisson, Pierre-Yvan Blondet, Marco Dapic, Julia Drouhin, Frederic Fradet, Michal Mitro, Jonathan Poulet, Jean-Philippe Renoult, Lea Roger, Dexter Rosengrave, Martin Roy and Valerie Vivancos, and performances at CAT by Dylan Sheridan, Emily Sheppard, tarab, and Sonnett.
This event is co-produced by the Structures Sonores Baschet Association, FAIR_PLAY and Contemporary Art Tasmania. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body during a three-months residency at the Cité internationale des arts in Paris, France.
Baschet group performance: 8 – 9pm
https://fairplay.hotglue.me/faq